Public Memory
Memory in Black
and White: Race, Commemoration, and the Post-Bellum Landscape.
By Paul A. Shackel. Walnut Creek, CA: Alta Mira Press, 2003. xvii + 250
pp. Photos, bibliography, and index. $70.00 (cloth); $26.95 (paper).
Southern Heritage on Display: Public Ritual and Ethnic Diversity
within Southern Regionalism. Edited by Celeste Ray. Tuscaloosa,
AL: University of Alabama Press, 2003. viii + 301 pp. Maps, photos, notes,
bibliography, glossary, and index. $49.95.
Phoebe S. Kropp
University of Pennsylvania
The study of public memory has continued to grow in recent years, as has
attention to the question of how memory informs race relations and ethnic
identity. These two recent contributions to the field together enhance
our understanding of how different pasts have come to play key roles in
constructing Southern and Civil War heritage. Each work engages a different
theoretical question about memory. Paul Shackel, in Memory in Black
and White, interrogates the relationship between material culture
and public memories—how do extant artifacts enable and constrain
the stories one can tell about the past? This is a key question for those
seeking memories more inclusive of African Americans or others who have
left fewer records and relics scholars are bound to respect. The authors
collected in Celeste Ray's anthology, Southern Heritage on Display,
all take aim at a broad inquiry: how does the past influence group identity
formation? Whether the group be "nostalgic Confederates," Blacks in New
Orleans, Mexican immigrants in Florida, or Tuscarora Indians in North
Carolina, their chroniclers show how these groups use variants of a Southern
past to build a sense of shared history and identity. That both pose such
intriguing questions perhaps better than they answer them seems less a
problem than a conscious choice to eschew theoretical debates in favor
of more concrete conclusions— on Shackel's part to concentrate on usable
lessons for public history practitioners, and on the part of some authors
in Southern Heritage, to focus on documenting a dizzying array
of southern "ethnic" groups.
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